On Working-Class Femininity and Beatlemania, Fab Four Fest, New York, 8th November 2025.
“Fashioning Labour: Feminist Art and The Industrial Body,” Feminist Lecture Programme, 8th December 2025. TICKETS HERE.
“Culture is Extraordinary,” The World Transformed, Manchester, 12th October 2025.TICKETS HERE.
Lecture on Depictions of Poverty in British Film: Stories of Struggle, Survival and Dignity in Trying Times, BFI London Film Festival, BFI Southbank, 18th October 2025. TICKETS HERE.
On BBC Radio 4’s Woman’s Hour, speaking about my curatorial work on From the Earth Comes Light. Listen here.
GETTING UP / GETTING OUT / GETTING ON / GETTING GOING: Classed Femininity, Innovation, and the Work of Victoria Wood, University of Leeds, 19th September 2025. TICKETS HERE.
Dreams, Hauntings and Deindustrialisation in Three Collaborative Feminist Practices,Side Gallery, Newcastle, 29th August 2025.
Introduction to The Scar (1997) by the Amber Film and Photography Collective, followed by oral histories session. 16th August, 2025. National Coalmining Museum, Wakefield. TICKETS HERE.
A Transversal Reading of Class, Salt & Silver: A Solstice Festival on the Heritage of the Herring Girls, Labour, Class, Gender, and Solidarity, 20th -22nd June 2025. Timespan Helmsdale, TICKETS HERE.
Sharing Works in Progress on Morecambe + Miss Great Britain for pub/lic(k): an informal critical discussion group by JWLLRS. 11 November 2025, Station Promenade, Morecambe. TICKETS HERE.
In Conversation with Adelle Stripe for the launch of BASE NOTES, April 2025, Blackwells Manchester. TICKETS HERE.
“BLACKPOOL STANDS BETWEEN US AND REVOLUTION: Taking Pleasure in Working-Class Britain, Two Temple Place Gallery, April 2025. TICKETS HERE.
“Leaning Over the Ironing Board” Filming Classed Femininity in Britain, Woman With a Movie Camera Summit 2025, BFI Southbank. TICKETS HERE.
Interview with Isabel Waidner, Writing Class, November 2024.
“The Blonde Bombsite: Towards a Cultural History of Working-Class Femininity” Marxism & Culture Seminar Series, UCL, November 2024.
Interview with Natasha Carthew, Writing Class, March 2024.
“Fun Palace, Pleasuredrome, House of Lights: Angela Carter’s Dance with the Working-Classes” Dream, Desire, and Imagination, University of Lisbon, March 2024.
“The Fairy Godmother on the Council Estate” Tate Britain, Women in Revolt! March 2024.
“Works in Progress: British Social Surrealism?” Contemporary Women’s Writing Network, April 2024.
“Rethinking Working-Class Women’s Writing” Radical Writers Research Group, April 2024.